Showing posts with label Chinese. Show all posts
Showing posts with label Chinese. Show all posts

Thursday, 27 September 2018

Palate Cleansing

I googled 'Australian - Chinese' writers recently in a pique of curiosity to see what would come up. This article caught my interest, mainly because of the word 'hyphenated.'

Years ago when I was a university student in Perth, I was introduced to the works of Trinh Minh-ha, who wrote something that has stuck in my head all these years.

'The challenge of a hyphenated reality lies in the hyphen itself. The hyphenated condition certainly does not limit itself to a duality between cultural conditions.'

I had not, up to that point, ever thought of myself as a hyphen, or hyphenated, but Minh-ha's theory around hybrid identities resonated with me. And still does because it provides an apt symbol for those of us who have or still do straddle multiple ethnic and cultural worlds as part of our daily lives. The fact that the article that caught my interest about Australian-Chinese writers is titled 'No-one is Born Hyphenated.' shows it is still a popular symbol being used 

Anyway, the opening paragraph contained another sentence that caught my attention. I quote:

Ethnic literature's hot. And important, too,” says one writing instructor. “I’m sick of ethnic lit,” a fellow student retorts, “It’s full of descriptions of exotic food.” 

This made me laugh because the memoir I am writing about growing up as a Chinese kid in Australia contains lots of descriptions about the getting, preparing and eating of said exotic food.

I am such a cliche was my second thought.

Which got me thinking about us hyphenated Chinese - (add second culture here, or third, ad infinitum) people for whom food is, to put it mildly, pretty important.

And not just any food. Good Food. Good Chinese Food.

Good Chinese Food is very important to most of my Chinese-hyphen friends. I have friends that have rice every night. Congee is important. Meat is important. Quality is important. Wok flame is important.

It makes sense. Irrespective of culture, your palate is formed by the food you eat growing up. And your attitudes towards food are informed by your environment . For the Chinese, food is imbued with vast powers. It is medicinal. It is preventative. It is superstition. It is celebratory. It is family. It is communion. It is value-for-money. It is, just short of religion. Actually, it is a religion. For the Chinese, food is a religion.

Somehow, I became an atheist.

Like most of my hybrid friends, Chinese food was a huge part of my upbringing but now, unlike some of them, I do not regard Chinese Food as the apex of the culinary universe. I like it. I eat it occasionally. I eat a lot of it if mum and dad are visiting. But for the most part, it does not feature in my daily diet.

This does not compute with some of these friends. It doesn't compute with my mother although she pretends it does.

But what do you eat? they ask, aghast.

I like raw things, I like vegetarian food. I don't really like congee. I think stir-frying is handy, but over- rated.

I don't want to eat the things that I had to eat every night growing up.  My palate is not a case of either-or. Chinese Food vs All Other Food.

There is however, one Chinese dish which I worship with holy devotion. It has sustained me for 43 years, most likely because I don’t have it that often.

Like the title of the article, we are not born hyphenated.  We are born multitudinal. I couldn't exercise that within my palate as a child when rice was might.

But I can now.




Tuesday, 3 January 2017

Yellow Face

The Husband was making small talk with me last week as we sat in the cinema waiting for the start of Rogue One (which I enjoyed immensely by the way).

If a play is set in China, contains characters that have Chinese names and are described as Chinese, do you think that Chinese actors should be cast in those roles?

What do you mean? I replied. What's the context?

He went on to fill me in on the controversy surrounding a play called In the Depths of Dead Love being staged at The Print Room in Notting Hill.  Written by Howard Barker, the play is set in Ancient China featuring characters that are purportedly Chinese. Here are the characters' names. What do you think?

  • Mrs Hu
  • Lord Ghang
  • Chin
  • Lady Hasi

The controversy has arisen because the play's director, Gerrard McArthur has cast an all -Anglo cast with nary a Chinese actor in sight. Andrew Keates, theatre director of the upcoming play, Chinglish, has taken exception to this and drawn media attention to what he considers is inappropriate casting.  In an open letter posted on his Twitter feed, Mr Keates wrote:

Your entire cast are all clearly Caucasian actors when the characters are written to be Chinese. You must not endorse this racist, outdated and unnecessary practice of 'yellowface' and instead find actors who are appropriate.

In response to all the media attention, The Print Room released a statement which claims that although the play is set in China containing characters with Chinese names, that no-one should be offended because the Chinese aspect within the play is just an 'allusion' and was never 'intended to be taken literally.'

Is it all a storm in a teacup? Is Andrew Keates simply using the whitewashing of this play to promote his own play, Chinglish, which does contain British Asian actors. Did Howard Barker never intend for his play to be about Chinese people? And even if he did, shouldn't it be a director's discretion to interpret a play how s/he wishes to? For example, why can't King Lear be a woman if a director wants to cast the role as such? Or Othello Irish for that matter?

Isn't art about vision and interpretation and sometimes, pushing the boundaries of what has gone on before?

I have not read In the Depths of Dead Love (and cannot find a free copy on the web to read) so can't comment on whether I think Barker wrote a play about Chinese people or not. The question begs however that if not, why did he set the play in China with Chinese characters?

It is a fact that Chinese actors are grossly under-represented in Western mainstream theatre and film. Try counting on two hands the number of well-known Chinese actors in mainstream media and you will struggle to find ten. There is no excuse for this apart from the absolute lack of vision on behalf of directors and writers in film and theatre.  The roles for Caucasians are numerous, it is the status quo, whilst roles written specifically for Chinese characters are next to none. It is not an even playing ground. Therefore whilst I think art should be a matter of interpretation, I do believe it is wrong to cast Caucasian actors in roles written for Chinese characters.

Chimerica
One of  the best plays I have seen showcasing an exceptional  British Asian cast

My own experience has led me to this conclusion. Growing up in a Caucasian society, my role models in film and media were Anglo-Saxons. I could not change my heritage however and my heritage is Chinese. There were no parts for a Chinese kid in the school play. I was told I couldn't be Nancy in Oliver. I couldn't be Dorothy in the Wizard of Oz. I certainly couldn't be Mary in the nativity play - gasp! Imagine that. I couldn't be any thing apart from a tree perhaps. Maybe I just sucked at acting.

I was still learning about racism when I experienced all of the above. Later on, when studying drama in my twenties, I found that not much had changed. A theatre director told me he could not cast a Chinese person in a Shakespeare play as I was not white. Instead of being angry, I just felt sorry for him. And I told him so.

When I was little and faced rejection from the school plays that I so wished to participate in, I wrote my own plays instead.  And did my own casting and directing. And then we performed these plays for the school. It was very rewarding.

And that really is the sum of it.

Protesting and speaking out is important but only goes so far.

If what you want to see is not available, then make it available.







Tuesday, 24 January 2012

The Year of the Dragon

It's Chinese New Year again and it is the Year of the Dragon.

Yes! It's Dragon's year. And in keeping with the rollercoaster journey she's taken me on so far, welcome the to the first day of my Chinese New Year.

I start the year feverish and ill. Bad.

I go to the doctors with Dragon as she's come out in a strange rash. It turns out she has folliculitis. This is Not Great.

I bump into a friend in the waiting room whose little boy has a high fever. The doctor doesn't know what is wrong. They have to go to A & E.  I start to go with her but we are not allowed on the bus. She jumps in a cab. Dragon is looking peaky so I do not follow. They are still there in hospital. They were supposed to go to New Zealand for a two month trip this week. This is Bad.

Dragon spends the rest of the day with a runny nose and a cough. Sigh. Bad.

She starts bursting into tears frequently for no apparent reason. She has never done that before in all her months of illness. Oh dear. Bad.



Behold the Bad Tempered Dragon


    Unexpectedly someone sends me chocolate biscuits and someone else gives Dragon a beautiful gift for no reason whatsoever apart from the fact she wants to. This makes the day better and is Good.

    I am supposed to write my essay but my old wrist troubles have returned. De Quervains is the bane of my life post pregnancy. Bad. Bad. Bad.

    I spend the first night of Chinese New Year having an ultrasound scan of said wrist and end up having my fourth steroid injection in 10 months. A few hours later I am in agony and cannot move my hand at all. Despair.

    A friend unexpectedly drops by with some food she has made us for Chinese New Year, refuses to come in and heads straight off again on her two hour journey home. Oh the kindness. I can barely speak.  The definition of Thoughtfulness.

    I sleep very little for Dragon coughs throughout the night, as do I. Yes, you can guess what this is.

    By morning my hand is no better. I feel like crying. But I don't.

    I complete a good chunk of my second essay draft. Phew!

    I find out we owe £1300 to EDF. I feel like crying. But I don't.

    Husband brings Dragon  home from nursery. I take one look at her and take her temperature. She has a fever. Poor baby. Curse you whoever you are that causes baby sickness. I'd shake my fist at you if I could move my hand into a fist to shake.

    Hand improves marginally. Hope. Not a bad thing to have at the start of a new year.

    And here we are. The first day of the Year of the Dragon. Tumultuous? Yes. Boring? Never!

     Which really sums up my little Dragon quite well.



    Monday, 17 January 2011

    Battle Hymn of the Tiger Mother

    There is a new book out about parenting called Battle Hymn of the Tiger Mother which has been causing all sorts of controversy. The book is by Yale law professor, Amy Chua and is a memoir of the Chinese parenting methods she used to raise her two daughters.


    The book caught my eye as I'm a by product of two Chinese parents. Fortunately for me, they did not go to the extremes of Ms Chua although there is much I can relate to in her methods from my own  upbringing. Motivation through criticism. An expectation of strength rather than fragility. Strict, tough love.

    Although I have not read the memoir, it seems that it is being hyped up and sensationalised in order for it to sell. Although Chua stands by her outlook, the book goes on reveal how her younger daughter's eventual  rebellion against Chua's techniques led to an re-evaluation of her parenting style. 

    I read the below excerpt from the Guardian aloud to the Husband:

    "Amy Chua was in a restaurant, celebrating her birthday with  her husband and daughters, Sophia, seven and Lulu, four.  "Lulu handed me her surprise which turned out to be a card," writes Chua. "More accurately it was a piece of paper folded crookedly in half, with a big happy face on the front. Inside, 'Happy Birthday Mummy! Love, Lulu was scrawled in crayon.  I gave this card back to Lulu. "I don't want this," I said. 'I want a better one - one that you'be put some thought and effort into. I have a special box where I keep all my cards from you and Sophia, and this one can't go in there.' 
    What kind of mother throws her four year old daughter's home made birthday cards back at them? A "Chinese" one, that's who, says Chua.

    The Husband looked aghast whilst I laughed merrily.

    There is no way you are going to do that to our child, he huffed.

    Poor little half Chinese baby. Of course I wouldn't do that to you.

    Well maybe only the Chinese half.